a short site about The Divine Comedy

French version

Recent updates

07/01/2020, 2020 reissues ?

Happy New Year!

2020 is a new year in the life of The Divine Comedy, and may see the band fully celebrate their 30th year anniversary. Indeed, despite the band was initially formed/named in 1989, they got officially signed to Setanta Records in January 1990 which was the beginning of an amazing career.
Even though we still not know what surprises the band has to offer us for this year, in a few interviews Neil Hannon has hinted that proper re-issues could finally see the light of day, and the man himself have admitted having recently reviewed all of his demo material.
We’d like to take this opportunity then to take a review of the many lost and forgotten gems the band has produced over the past, and will – hopefully – consider for bonus material.


Recent studio material
     
  • 2015: Foreverland outtake. While initially Neil Hannon considered 22 songs for the Foreverland album, only 13 were recorded in the studio (the other probably made it to Office Politics). Which left one unreleased track.

     
  • 2013-2015: National Concert Hall demos. In those years Neil was offered a writing room at the National Concert Hall, where he demoed a lot of material… Some of these demos were officially released as exclusive one-track CD-R at the time of Foreverland, and then are unlikely to be released again, in respect of the fans who bought them (this is a totally lost/lost deal). On the other hand, since Neil demoed Office Politics at the same time, demos for about handfuls of songs would still be fit for release.

     
  • 2014: The Adventurous Type. On January 2015 Neil Hannon gave a workshop on songwriting at BIMM, Dublin. As a result a new and exclusive song, ‘The Adventurous Type’, was produced, which has been heard only by a selected audience so far. It is unsure though if any recording of it exists however.

     
  • 2013: The King Of Swing. The only outtake from the Sticky Wickets sessions. It already saw Neil having a try to OMD-like synthpop. The song was partly broadcast on the BBC when the band was promoting the album, but release has never been considered back then. Not sure if that would fit on a Divine Comedy anniversary project though.

 
Stage and screen works
     
  • 2015: Samantha’s Theme. In 2015, Neil Hannon composed and recorded an advert music for the bankers. The thing was kept secret by the band’s management, but the brand communicated about it. Part of the music was used in various video trailers, but no clean edit of the instrumental has been made available yet unfortunately.

     
  • 2012: Sevastopol. The third, and last opera/musical of which a soundtrack haven’t been released. Well, Neil Hannon stated in the press that after the premiere he realized he “couldn’t actually write an opera”. It is unsure then if a soundtrack of that Royal Opera House production will ever see the light of day then.

     
  • 2012: Lost Sailors’s with Cathy Davey. In 2012 Neil and Cathy did a soundtrack for an exhibition of Cathy’s mother Agnes Conway. The installation was held at the National Maritime Museum of Ireland and unfortunately no review of it ever surfaced. Hearing such a work would be something of a curiosity for any fan.

     
  • 2012: Holy Motors. For Leos Carax’ movie Neil Hannon wrote a song, ‘Who Were We?’ which has been included in various forms in the film, including a performance by Kylie Minogue! The film has been released for a while now; but for sure a 15 minutes soundtrack was not commercially an option. The release of the original studio takes and/or original demo by Neil Hannon would be worth on any Divine Comedy anthology.

     
  • 2014/2009: The Walshes / Wide Open Spaces. Many years after Father Ted, Neil Hannon has continued to work either with Graham Linehan and Arthur Mathews for film or series. For both project Neil Hannon composed theme and incidental music. These soundtracks are certainly not as important as most of the work Neil Hannon has done under The Divine Comedy moniker, but at a time were digital EPs could be released for almost anything, it is a shame that these musics were not considered for release. If it doesn’t happen now, it probably never will…

 
The 2000’s
     
  • 2008: Cité de la Musique. The limited edition of Bang Goes The Knighthood saw the release of some extracts from a show in Paris where Neil was having a go at French songs. Of course more than that was played, and even though most of the rest was material regularly played since the Victory… tour, a few interesting gems were unfortunately left off the bonus CD: ‘Sexy BB’ (a medley Gainsbourg’s ‘Initial BB’ and Air’s ‘Sexy Boy’), a French version of ‘Europop’, Daphnée’s cover of ‘If…’ and Vincent Delerm’s cover of ‘Songs Of Love’.

     
  • The years 2005-2009 saw Neil Hannon collaborating on many projects. Some of them made it to the end (Carl Barât, God Help The Girl, Eg White, Jane Birkin, ….) and some other didn’t or just partly (Guy Chambers).
    Since those projects are more than 10 years old now, it’d be interesting to have a retrospective look at those intensive songwriting sessions, even with just demos if for contractual reasons the finished version was left in a status quo.
    In 2007, an original demo of ‘If You Run’ was actually leaked online, which proves that such material Neil was producing was circulating for people in the industry. The original demo of ‘Home’ also would be worth hearing, since it was said to sound radically different before Johnny Marr got to play it.
    Also a lot of unreleased songs for aborted projects have been published to author companies, and so we know that many songs have still to be heard.

     
  • 2006: Guantanamo. In 2006 Neil Hannon recorded a political song called ‘Guantanamo’. The song was available through MySpace, but officially the song was not to be released. 15 years later, what is left of it is only a 96kbps recording, which is of course easily available via youtube, proving the concept of ‘leaking but not releasing’ was not truly working. Strangely, on the other hand an instrumental version was officially released through an obscure promo CD. So while it remains possible to hear in great stereo HiFi the great arrangement of the song, hearing Neil’s vocals performance still remains edgy today because of the quality of the source. If any anthology of some sort is to be released, and aimed to be a well-crafted product, we do hope it’d repair the mistakes of the past, and offer at last proper versions of songs.

     
  • 2005: the original Victory For The Comic Muse. At first the successor to Absent Friends was supposed to be a synthpop cover album. Neil Hannon worked on some arrangement on classic hits such as ‘Turning Japanese’ (The Vapours) or ‘Question of Time’ (Depeche Mode). Finally the idea was dropped because most of the arrangements sounded the same, and his intensive songwriting led him to have a proper album ready. So only ‘Party Fears Two’ made it onto the album. However, especially today where Neil’s love for synthpop is no secret anymore, it’d still be curious to hear some of the demo/arrangements Neil originally did.

     
  • 2005/2006: The IT Crowd. In 2006 Neil Hannon did the music for Graham Linehan’s sitcom The IT Crowd. The theme music has now become very very popular now, and other incidental music were also composed (the Emergency Service Advert is now a classic). Of course the songs can be heard on the series’ DVD; but having officially cleaned version of the tracks (without the laughs) would be expected by anyone who wants to have a proper listen to the songs.

     
  • 2001/2004: Regeneration & Absent Friends B-sides. While most of the singles/EPs since The Bavarian are available on download platforms, all the catalogue prior to this has never made it onto digital. In those days singles were released as double CD + another format, and included about 5 B-sides. Many songs have been almost forgotten now, or available only to a dedicated fan-base. The winner in all that being youtube, taking the advantage of all the unauthorized uploads. For sure any Divine Comedy anthology shall include most of these songs, if not all.
    Some live tracks were also released for fan-club CDs which have become quite valuable now. They included recordings from one of the latest show of the classic line-up at the Olympia in Dublin; and takes from a show at the Bloomsbury Theatre in 2004. Additionally, a take of ‘I Hold Your Hand In Mine’ from this show was also made available on MySpace for a very limited time, and remains to be heard again.

     
  • 2001, early Absent Friends demos. While many demos from Absent Friends have been released as B-sides from 2004 to 2006, the songs actually went through many phases. In 2001, when the band-split-up, it was rumoured having started rehearsals for a new album. We do not know how advanced the rehearsals were, and if any of the new material did actually made it later on Absent Friends; but if such a session was ever recorded, having the last testimony of the classic line-up would be a historical document.

     
  • 2000: Regeneration demos. Neil Hannon did compose and demo most of the Regeneration album at a time he was moving home and couldn’t dispose of a piano. Therefore, most of the songs were written on acoustic guitar, and demoed as such. An original demo was sent to the band members who then added their own hands. Hearing the original and raw version of the tracks would be quite interesting, especially to finally close all the discussions regarding Nigel’s Godrich influence on the album.

 
Forgotten tracks from the 90’s.
     
  • 1999: The World Is Not Enough. In 2012, Neil Hannon admitted he composed a song for James Bond’s movie ‘The World Is Not Enough’ (1999). The song was not considered for the film and it remains unreleased. At that time the song was contractually not to be heard. That was 20 years ago. Since then, Pulp released their try at ‘Tomorrow Never Dies’ in one of their anthology, so why couldn’t the DC?!

     
  • 1996-1999 Classic B-sides. Whereas the band actually owns all that back catalogue, and made it available though digital platforms, little (not to say no) concern was given to the B-sides. Most of the Divine Comedy singles are now tracked down by collectors because they show how rich and original the band was, and a large part were even released only on analogue support. The request for B-side compilations have been one of the most reoccurring request (after the request for physical reissues of the albums) on social networks over the last few years.

     
  • Instrumental versions. Instrumental versions are like Proust’s Madeleine for fans… They give a new perspective to a familiar song. Many fans, musicians themselves, have asked for release of instrumentals… While most of the albums since the Parlophone era have been leaked in their instrumental forms now, there is only little from the Setanta era. For sure the release of a “Stack-O-Tracks” compilation would please many fans.

     
  • 1997: Grizzly Knife Attack. In August 1997 Neil Hannon did a couple of shows with composer Michael Nyman. The collaboration resulted in joined efforts for a new song called ‘Grizzly Knife Attack’, which was premiered at these shows. Plans for a studio recording and inclusion on a forthcoming Nyman’s album were evoked but never happened. Even if a studio recording was not done at the time, highlights from these shows (which included Divine Comedy’s covering some of Nyman’s works, and Michael Nyman Band covering some of the Divine Comedy classics) would show the Divine Comedy on their orchestral rise.

     
  • 1996: Christmas With The Hannon’s. In the early days of Casanova, The Divine Comedy had a plan for a Christmas single entitled ‘Christmas With The Hannon’s’. Finally the idea was dropped, and the song has never been heard. Other outtakes from the Casanova sessions also included the original studio version of ‘I’m All You Need’.

     
  • 1995: Father Ted. It’s a fact that most of The Divine Comedy’s success in UK came thanks to Father Ted for which Neil Hannon did the theme music and other incidental music such as ‘My Lovely Horse’. While the theme music was re-recorded as ‘Songs Of Love’ later, the original theme tune (recorded at The Jesus and Mary Chain’s studio) has never been properly released; and other songs such as ‘The Miracle Is Mine’ are yet to be heard in full.

     
  • 1994: Sean Hughes’ poems. After the release of Liberation, The Divine Comedy received support from writer Sean Hughes. The two had a project to set up in music some of Sean’s poems… The project was evoked to the columns of Hot Press, but never saw the light of day. Sean sadly left us a couple of years ago, and releasing those sketches could be a way to pay homage to Sean.

     
  • 1993: Indulgence No.1. The Indulgences singles are some of the most valuable Divine Comedy EPs, as they are nice 7” records with exclusive material. For sure CD release of that material would be more than welcome. But it also less known that the original plans for the Indulgence No.1 was to include a cover version of The Ramones’ ‘Something To Believe In’. It is unsure why the idea was dropped, but according to Keith Cullen, the song was recorded at the time.

 
Early demos
     
  • 1992/1993: The Liberation & Promenade demos. This is certainly the keystone of all The Divine Comedy’s career. When Neil Hannon re-conceived what was an indie-trio into a baroque pop project, he locked up in his room and recorded demos over and over until he was satisfied with the result. No doubt there shall be hours of material to heard (assuming it still exists), and even if a double CD would certainly not be enough to cover everything, it would give a panorama over the musical accomplishment Neil Hannon went through over these years.

     
  • 1991/1992: Europop rehearsals At the time the early Divine Comedy line-up, with John Allen on vocals, was promoting the Europop EP, the band was already playing some early versions of songs that would later be recorded for Liberation such as ‘Super-Natural’ or ‘Lucy’. We have no idea if any live or rehearsals were ever recorded; but if such a document exists, it would have a historically important place to play in any anthology as a starting point to The Divine Comedy as we know it.

     
  • Earlier material would also be historically interesting wherever they come from. Although it would also be interesting to select it depending on how it connects to Neil Hannon’s later works. Some ideas such as ‘October’ have been seen later within songs like ‘Assume The Perpendicular’. Therefore, there is no doubt covering the early years could put the light on some of Neil Hannon’s songwriting genius.


To conclude, there is certainly a lot of material to pray for the re-issues. However, since the albums re-issues is mainly what is expected by the fan-base, we are aware the bonus are secondary and no doubt only a tiny little part of all that will get released, but at least it gives us an idea of what to expect. Anyway your opinion matters: don’t hesitate to leave to comment to tell us what you would love to hear from all we know that exist.
Next time, we will review the video material that exists too, and what could be fit for bonus DVD if such a thing would ever be considered.

Discuss!

11/11/2019, When the glory boys depart…

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The Divine Comedy have just finished their UK & European tour promoting the album Office Politics.
To celebrate this, the chronology has been updated with all the details up to the latest Divine Comedy shows. It features all information regarding concerts, radio & TV session and interviews, important events, and even more!
It is the most comprehensive work ever done about Neil Hannon’s musical career covering everything he has done with The Divine Comedy and The Duckworth Lewis Method. More than 1400 entries have been added and documented to cover the latest decade. Actually, in the early 2010’s updating the DC chronology hasn’t been a priority since social media were providing timelines with a history of events. However, the ephemeral aspect of the online information has proven today the importance of such an independent archival project.

Discuss!

27/10/2019, a short Q&A

A few months ago I was asked by a famous French music mag to answer a questionnaire for a series of articles on dedicated fans, with a focus on record collecting.
Finally the subject was dropped and instead of getting all these answers lost, publishing this Q&A here is the opportunity to share the ins and outs of my passion.

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What actually made you start a collection?
I always had a thing for collection. Generally, I like to collect records from bands I like, and when I really like them I tend to be a completist.
In the particular case of TDC for me, there are two aspects. For the official releases, doing the site where everything gets documented helps me to maintain the collection.
Then, when we are fan of an artist, we seek to discover the most unexpected and interesting things (demos, special performances, etc.). Every concert is different, and may have something special.
But, on the unofficial recordings, there is also an aim also to preserve a heritage, and so to get my hands the most of the recordings to get them properly restored.

What was the first item you bought?
The album Liberation in 1999 a couple of months after I got into the band. But I’d say the collection really started with the Secret History limited edition in late 1999. A compilation of demo and live tracks, which really gives the curiosity to look for more, and so to seek for the complete recordings.

What are the latest items you bought?
A Russian bootleg of Office Politics. Also an instrumental CD-R of Absent Friends, and a French cassette edition of Casanova. I was looking for that one for more than 10 years without any proof it actually existed. It does!
Recently I also managed to get my hands on live recordings of all the show DC did in my former hometown, including some masters that never circulated and which I managed to restore in good condition.

Even though size does not matter, how much place does it take?
There is a big CD flightcase, but I need another one for all the recent Divine Comedy Records CDs. Then there is another flightcase for the LPs, one for the 45s, and a case for the official cassettes. And then, I’ve got many magazines, newspapers, bootlegs, photo albums… and everything gets digitized with high end equipments.
Plus a lot of information grabbed from the Internet, so it takes more than 1Tb of data. All has a backup on magnetic tapes of course.

How is it organized?
Everything is well protected and put in a place according to its format. The problem is that I got things that went put in different places, such as the cardsleeves and the CDs. And I’d need to do an inventory to no longer have to spend time to look for something when I can’t remember where it is supposed to be.
In the computer, there is such an amount of data that it becomes to be an endless task. Sometimes I spend many hours just to look for a bit of information that I vaguely remember from 10 years ago… I’d need some big data processing, haha!
But it’s already a big deal to have done all this conservation. The site is a mean to bring to light a part of all that; but there is such a big documentation work to do, it doesn’t process as fast as I wish.

Is the main thing the hunt, the quest or to have the disc, the object?
Well, since the aim of the hunt is to have the item, I’d say the main thing is still to finally have it. But I don’t just own just to own, but it’s also part of a documentation process. I am always in quest for documents. Looking up eBay or discogs is only a background tasks. There are many people with who I am in contact with, or try to get in touch, to find some archives. That could be anything: audio, videos, photos, press articles.
Every find is a victory, but as long as there is still the fin, the quest is not completed. However, the quests lead sometimes to find other things we wouldn’t have expected. For example, thanks to a DC fan, we have managed to unearth uncirculated material from Led Zeppelin!
And if I get a demo tape for example, that wouldn’t just to say “I have an ultra-rare recording from Neil Hannon in 1989, it’s an old tape and it’s rubbish, hahaha!”. No, I’d take the chance to restore the recording in the best conditions, and respect the music for the place it takes in the band’s history.
Some of them can be found on the Internet indirectly thanks to me. However I wouldn’t put all my archives for download, in case you ask. But everything I have is documented on the site, people can get in touch; and most of private collectors don’t do this, they stay vague about what they have, and don’t necessarily manage to get things digitally restored. I am always open to discussion. So it is important that people get to know what I am doing, and I try to explain.

The most beautiful story related to the collection (eg. finding an incredible item in the depths of an empty garage sale, meeting people through the collection, etc.)
I have met many good people thanks to the collection.
In the miraculous finds: finding an original copy of La Cigale for bargain!
And also I had this dream long time ago, I’d find in an obscure record shop in Paris cassettes of French concerts by the band. This dream finally came true many years later, I went to a record shop owned by a fan from the early years, we discussed and he got into his back shop to dig out recordings he did of the 3 Parisian shows from 1996; which I managed to restore.

And the worse?
That the band (or their management) got into the fashion of selling ‘unique recordings’, put up for sale for 50£ for just one demo track. For Foreverland, there was about 50 disc sold to different people. This was to create a buzz, and make some easy money on the fans, but it is rather insane. Releasing a triple CD-R album of all those demos would have made more sales (according to the fanbase’s size), and for the same price it wouldn’t have sound unfair.
They definitely crossed the line where the music became less important to the ego of their audience; people were satisfied of having something unique made for them, more than the song itself.

Has internet facilitated the collection or did it ruined everything?
Mainly helped. Most of the rare items come from outside France, and eBay really helped to find them.
Sadly the general use of computers did some harm because a lot of documents have been badly digitized. And youtube has made thing even worse! Some people believe they can digitize a VHS by filming the TV screen with a smartphone and upload this onto youtube! However, Internet helps to find contacts as well, and make researches that wouldn’t have been possible otherwise.
I was unfortunately too young to be there during the days of the fanzines. There was always a bigger respect to the fanzines editors/writers, since they were doing a proper physical object; while in those days it was considered ‘easy’ to do a home page.
Also, when I started the site, the Internet was different, and was much more about sharing the information, and I decided to stuck into that way; but it never get rewarded since nowadays, that’s the social networks that are in the air; and those who play to the gamification get the advantage. You can’t imagine in the 90’s someone publishing a fanzine full of selfies… but that’s what happens now. On the other hand, I don’t want to show myself, here I want to talk about the band not about me. But this has become more of a disadvantage.

Can we be friend with another collector of the same band?
Of course, as long as there is a positive communication, and some exchanges. If each other just want to show how big their collections are, it is not interesting.
Unfortunately – and that’s true for every band – there is a lot of competitions between fans. Not much sharing; or sometime generosity in disguise: if someone finds a rare item, it is likely that he’d just share a photo taken with a smartphone, instead of a 300dpi scan.
Some take the excuse of some ethic to not give access to some content but that’s bullshit – I mean their excuse are usually based on sophisms (for example the early stuff shall not be shared because Neil says they are not good; which means it makes no sense for commercial release, not that we’d be stabbed to death if we listen to it). If you’re a friend, and know how much it counts for me, friendship shall come before a so-called ethic. As a result, the story is always the same: opportunities get missed, time passes and things get lost. When that happens, I can’t see myself smiling at these people: “you’re a good fan”.

The Holy Grail, the item not found yet?
In the official items, there are still test-prints, instrumental CDs that are to be found.
After that, there are still many un-official recordings that exist but do not circulate. For example the shows with Michael Nyman in 1997, I know at least one recording exist… Or the complete recording of the Dublin Olympia ’94 solo show, it uses to circulate!
But the real Holy Grail would be the Liberation demos since they were the turning point between the early rock days and the pop days. I know that some people close to the label got to listen to them.
There are also video of the days before The Divine Comedy, but they never circulated. Does this material still lies somewhere in Ireland? Mystery…

Are you able to admit that at one point your loved artist was less good, disappointing?
Of course. In the recent years, Neil Hannon has sometime been less audacious than his beginnings. But I think he still got the same talent, and the latest albums showed he could still surprise us!
And I don’t doubt that he’ll have more and more recognition over the years.

Has this collection given birth to any others?
I have got other collections. Some are with linked artists, such as Duke Special, Matt Berry or Anthony Reynolds. Also on other unrelated artists, but it’s a different story. However, for none of them I have been socially involved in the fan circles; but I can be involved in different ways, it also depends of the band too (if it’s a band from the past, or even defunct). I probably won’t do any other website though, just writings for my own self, ‘cause experience has shown me that such expression, when not aimed to promote, is not well-considered.

Discuss!

10/09/2019, Anniversary updates

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30 years ago a young teenager in Northern Ireland had just left school where he mainly spent his day dreaming about being a pop star. He’d come up with a rock band, call it The Divine Comedy without knowing what it meant… A few decades later he has become an accomplished musician and songwriter, and the name The Divine Comedy has been associated with many styles.

To celebrate the 30 years of Neil Hannon’s prolific works, a short site will offer many updates on The Divine Comedy’s career, retrospective analysis, and discuss on what may happen for the anniversary.

To start with, the discography is now up-to-date with the recent releases, including the latest album Office Politics and its complete charts positions, as well as all the recent compilations and covers published by various artists and labels.
Unfortunately most of the recent lyrics haven’t been added onto the site yet. This is actually pure laziness and there is no good excuse to justify, but we remind that a short site is a collaborative website where anyone can contribute.
On the other hand, the Tabs and Score section has been updated following the recent shutdown of the TDCmusic.co.uk website (Richard said he was okay with his works being hosted since he stopped maintaining his site 10 years ago).

Last but not least, the band’s biography has been revised, to sum up what Neil Hannon has been up over the recent years, as well as all the information on the collaborators featured on the latest Divine Comedy albums.

Discuss!

07/03/2016, Website updates and T-online issue solved

While a new Divine Comedy album is on its way, a short site has been updated with some little additions.
As always the chronology has been improved, and the discography completed; some biographies have been updated, and a few press articles have been added…

Also, we had a technical problem with registration e-mails not being sent to users of t-online.de. This issue has now been solved; and for anyone who tried to register, the activation e-mail shall be delivered by now (it can also be requested again via the registration page).

Discuss!

18/12/2014, a short site: 2014 contributions

With the New Year coming in, it is time to sum up the various updates that have been done to a short site over the last few months.

First of all, the chrononlogy from the beginning to 1996 has been completely reviewed. It is now more accurate with the complete tour dates in France for the Liberation and Promenade tours; and some testimonies.

The commissioned works have been updated, including some soundtrack for Irish and British television series.

The list of cover versions has also been completed with releases from bandcamp, as well as a couple of 2014 albums.
And the compilations list has been updated with many more releases from 1990 to December 2014.

We try to add the maximum of information for each release, or event. However, it is a slow task to do so; and we remind that it is possible to any visitor of the site to contribute, complete or correct the website by clicking on the Edit tab on the top right corner of each page. It is also possible to just leave a comment by clicking on the Talk tab.

We wish a happy 2015 with hopefully a comeback of The Divine Comedy to the scene.

Discuss!

03/07/2014, Exclusive competition for Divine Comedy / Burt Bacharach night in Fourvière

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On July 14th, The Divine Comedy will opening the stage for Burt Bacharach at the ancient theatre of Lyon as part of the Nuits de Fourvière.

On this occasion, a short site offers 5 pairs of tickets for this special evening.

To enter, all you need to do is to answer those two questions:
  • Which hit composed by Burt Bacharach and Hal David was covered by The Divine Comedy in 1996?
  • Which other classic track, still written by Burt Bacharach and Hal David, was also covered by The Divine Comedy with Ben Folds during a shared tour?
We will select 5 winners from the correct answers submitted before July 11th to this address: concours@ashortsite.com. Please include your first and last names, and we will contact the winners on July 12th.

Good luck!

Important information: the winners will have to collect the tickets at the Théâtre de Fourvière, on July 14th at the opening hour, 18:00 (local time), a photo identification may be required. a short site and Nuits de Fourvière won’t cover any additional cost related to the competition (transport, hotel, …). If the event is cancelled for reasons beyond our control, a short site and Nuits de Fourvière won’t give any compensation prize.

Discuss!

25/08/2013, New discography, personnel biographies and more!

Following the recent release of The Duckworth Lewis Method’s Sticky Wickets, we have updated the biographies, discographies and lyrics with the new album and its two singles as well as recent side-projects.

The discography has been re-conceived and shall bring you the information more efficiently. All credit notes of the discography have also been corrected and completed; now for most of the musicians you’ll be able to find detailed biographies.

A list of all the personnel who has been involved or collaborated with The Divine Comedy is also available, and will bring you a comprehensive overview of all the significant histories related to the band as well as the links between them.

And, last but not least, piano scores for ‘Assume The Perpendicular’ and ‘Going Downhill Fast’ (solo) have been added, in PDF and MIDI formats.

Discuss!

22/11/2012, New Captcha validation

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Due to recent spam attacks on a short site, registration was temporary disabled last week.
This has now been fixed with a new registration page featuring an animated captcha validation.

Registering allows you to post on the forum and enables the wiki-feature of the site to edit and discuss any page of a short site.

If you have trouble to read a confirmation code during the registration, you can click on ‘Refresh confirmation code’ to build a new code. The aim of this validation is to block automatic registration used by spam robots; so if you’ve got any trouble registering, please contact us directly and we’d be pleased to help you.

Discuss!

02/10/2012, Update: Commissioned Works

A new section has been added to a short site: The Commissioned Works. This section gathers non-album works such as music for TV and films as well as recent drama and theatre works.
There you’ll find information about Swallows and Amazons or Sevastopol. Details and lyrics of the songs from the series The I.T. Crowd and Father Ted have also been added.

Moreover, detailed information about the known home recordings / demos of The Divine Comedy has been added. You’ll find there more about the development of the songs.
In addition to this, a section listing some of the gear used by the band over the years has recently been added thanks to many contributions.

And, a couple of new guitar tabs have been added thanks to Mathieu: ‘A Lady Of A Certain Age’ and ‘Bang Goes The Knighthood’.

Discuss!